If you’re a huge fan of Bud Abbott and Lou Costello, then this one will be a bit of a weird watch for you... as it is the only film the latter star appears in without his iconic straight man (the pair had dissolved their partnership in 1957). Also away from their typical Universal Studios, this one comes from Columbia. A clear take on 1958's Attack of the 50 Foot Woman, the director Sidney Miller promptly brought forward the sci-fi comedy parody The 30 Foot Bride of Candy Rock (1959).

If you’ve ever seen anything from the comedy team of Abbott and Costello, you’ll know that it is rather rare to find anyone who will take up the screen as much as good old funny man Lou... that is, unless he’s paired with comedienne Martha Raye – there’s a reason she’s known as “The Big Mouth”. In Keep `Em Flying (1941), they would share the silver screen for the first and only time... but Lou had his work cut out for him, as she plays twins. The team’s fourth starring movie released in just ten months (and the third military movie to keep spirits high during World War II), all four were manned by Arthur Lubin (their next film, Ride `Em Cowboy would be his last with the duo), a steady hand that helped keep the boys in line.

Arguably one of the more bizarre buddy cop action/comedy films ever made, 1988's Dead Heat, written by Terry Black (brother of buddy cop screenwriter extraordinaire Shane Black – think Lethal Weapon and The Nice Guys... who cameos as a Patrolman in this one), and directed by Mark Goldblatt, fuses the tried and true formula within a Los Angeles set zombie storyline. Meet Doug Bigelow (Joe Piscopo) – cousin to Deuce, and Roger Mortis (Treat Williams) – and I think he’s the brother of Rigor, two officers who drive around town in a red 1960 Chevrolet Impala convertible – very inconspicuous. The former’s goofball jokey, the latter’s the more refined sort, together, they’re chaos.
I was fortunate enough to get a quick interview with Joe Gatto after his first ever comedy show in Ottawa on March 3rd, 2023. For those of you who have somehow missed him over the years, Gatto has brought joy and hilarity to the world with buddies Sal, Q, and Murr on the comedy series Impractical Jokers. After nearly a decade on television (creating worldwide catchphrases like: “Scoopski potahtos”, “Larry!”, “Up your ass and to the left”, “Who vants to paint!”, as well as so many others), Joe parted ways with the Jokers after nine seasons to focus more on family. Despite this, you’ve had ample chances to stumble upon him – sometimes with his buds as the Jokers go viral on Youtube, or by way of his very active social media accounts... and, of course, on his comedy tours. His first time in Canada, he regaled the audience with a fantastic combination of outright jokes, venue improv, past stories, and his own unique brand of physical comedy. After nearly a two hour show (which included his friend and opener Jiggy – who has also made some appearances on Impractical Jokers), the audience left with a number of jokes and stories that could make anyone laugh, as well as several local gags that only those attending would get (who knew Canadian royalty was sitting in the theatre box).

Riffing on the gumshoe detectives of yesteryear, 1994's Clean Slate, directed by Mick Jackson, is a bit like a comedic and much less complex version of Christopher Nolan’s Memento (2000). Poor Maurice Pogue (Dana Carvey) has a lot going on in his life: a former LAPD detective, the private eye will soon be taking the stand. . . as he witnessed a murder by a notorious one-thumb-missing gangster, Philip Cornell (Michael Gambon) – who’s always accompanied by two menacing bodyguards (Mark Bringelson and Christopher Meloni); though the supposedly murdered woman, Sarah Novak (Valeria Golino), has returned looking for the PI’s help – or is she simply a well chosen lookalike

A very different type of Christmas classic, 1988's Ernest Saves Christmas, directed by John R. Cherry III, is where season’s spirit meets slapstick comedy, saving Santa comes by way of snakes, and a taxi driver can concoct a plan to salvage Christmas morning for millions of youngsters. The third movie of the Ernest (Jim Varney) franchise finds the man driving taxi in Orlando (in fact, this was the first film to be shot at the new Disney/MGM Studios). Akin to limo driver Lloyd Christmas in Dumb and Dumber, his heart and soul is bigger than his brain. A huge lover of the holiday season, Ernest is pleased to give a man claiming to be the real Santa Claus (Douglas Seale) a ride.

Reveling somewhere between cheesy 80s horror flick and Abbott and Costello buddy comedy slapstick, the 2017 short film We Summoned a Demon, written and directed by Chris McInroy, is six minutes of pure horror comedy goodness. Following a pair of less than cool guys, Kirk (Kirk C. Johnson) and Carlos (Carlos Larotta), they are really pulling at straws. . . as they’ve decided to attempt a satanic ritual to make the former a slick talking pick-up artist (of course, it’s all about getting a girl). After a ‘slight’ blood mishap, they inadvertently summon a glowing yellow eyed demon with horns that could qualify as overcompensating (John Orr).