What Could Have Been: The 30 Foot Bride of Candy Rock

Sometimes you wonder how you missed a film back in the day. The 1990s were a wild age for silly comedy gold...the crop of Saturday Night Live at the time spawning an era of laughs on the big screen – Mike Myers bringing forth Wayne’s World and Austin Powers, Chris Farley and David Spade doing the buddy comedy thing in Tommy Boy and Black Sheep, Adam Sandler bringing Billy Madison, Happy Gilmore, The Wedding Singer, and The Waterboy to the world, Will Ferrell and Chris Kattan offering their famous tv skit to the big screen with Night at the Roxbury, and Molly Shannon showing that she truly was a Superstar. Yet somehow, after all of these years, I only just discovered Dirty Work (1998), a cult classic co-written and starring Norm MacDonald (the only film on his writing credits). Directed by, of all people, Bob Saget (yes, Mr. nice guy father Danny Tanner from Full House finally bringing his dirty stand up side out), it oozes 90s oddball comedy. Feeling like gazing into Norm MacDonald’s quirky meta-mind while he dreamily acts his way through an hour and twenty-two minutes of a never before seen comedy routine – if you love the guy’s eccentric shtick, then you’ll probably dig this, but if you’ve never been a fan, then this is probably not for you.

Often deemed to be the last classic film made by the great Buster Keaton, The Cameraman (1928) was the final time the silent legend would have anything close to full creative control over one of his own features... as he folded his independent studio to sign with Metro-Goldwyn-Mayer (MGM) – who promptly made him their third highest paid star. Though his future would soon turn very bleak, this first film with the new studio was his own idea.

There is no doubt that Roberto Benigni will forever have his name etched in the annals of film history after his Academy Award winning film Life is Beautiful – which took home Best Foreign Language Film, Best Score (for Nicola Piovani), and brought forth a most special moment when Benigni climbed atop the seats of the theatre to accept his Best Actor award. Yet, it is a bit of a shame that some of his pre-1997 works are lesser known outside of his native Italy. Case in point, the comedy Johnny Stecchino, circa 1991. Co-written (along with Vincenzo Cerami), directed and starring Benigni, he plays the titular character as well as a near identical lookalike of the man (who is actually our protagonist). Here’s a quick translation – Stecchino means toothpick. So, to explain, Dante is a charming yet rather simple bus driver (who is also trying to pull a disability scam with the government), when one day, he luckily. . . or perhaps unluckily, almost gets run into by a beautiful woman named Maria (Nicoletta Braschi – Benigni’s real life wife) – who seems to be immediately intrigued by the man. As she would exclaim – “Santa Cleopatra!”

Beating the famed comedy duo of Abbott and Costello to the horror comedy circuit both one and two years prior to their 1941 classic Hold That Ghost, Bob Hope released The Cat and the Canary in 1939, following it up in quick succession (just eight months later) with The Ghost Breakers in 1940 – it was originally a play written by Paul Dickey and Charles W. Goddard (there are also two silent films from 1914 and 1922 based on it that are thought to be lost – the former being directed by Cecil B. DeMille). Directed by George Marshall, the mystery infused horror comedy follows a socialite, Mary Carter (Paulette Goddard), who has learned on a stormy New York night that she has inherited a supposedly haunted castle on a secluded Cuban isle ominously named Black.

Comedic war-tinged movies were all the rage in Hollywood during World War II... a way to ease the tension while keeping morale up. Think Charlie Chaplin’s The Great Dictator (1940), Abbott and Costello’s quasi trilogy of Buck Privates, In the Navy, and Keep `Em Flying (all of which were released in 1941), Ernst Lubitsch’s To Be or Not to Be (1942), as well as today’s feature, the Sidney Lanfield directed, Bob Hope starring My Favorite Blonde (also 1942). A wartime crime caper woven within a Bob Hope vehicle, Karen Bentley (Madeleine Carroll – The 39 Steps), is a British secret agent who is given the unenviable task of delivering a cipher after her partner is murdered by a ruthless group of German spies led by Madame Stephanie Runick (Gale Sondergaard – who was also in The Cat and the Canary, Never Say Die, and Road to Rio with Bob Hope).