A rare Pre-Code film that still echoes through the lineage of movies to this day, influencing the gangster genre is the Howard Hughes produced, Howard Hawks directed, Ben Hecht written Scarface (1932) – with its elements playing an integral part in setting up the archetypal template for generations to come (just think of the works of Martin Scorsese, Brian De Palma and Francis Ford Coppola four, five, and six decades later). Ripped from the headlines at the time, this fast paced and snappy gem doesn’t feel like it’s made in 1932, the limitations of the early ‘talkie’ era hardly noticeable. The camera gracefully moves around, be it reenacting the movement of a Tommy gun or introducing us to the players in a room.

Numerous robberies, black market sales, an underground high stakes poker game, and traffic violations abound in Guy Richie’s first motion picture – Lock, Stock and Two Smoking Barrels. Featuring the now iconic director’s signature style, Richie fills his intricately plotted, multifaceted storyline with fast paced editing, even faster paced dialogue, his oddball sense of humour, rich personas, and eye-catching style that consists of both sepia tones as well as vivid colours. Though the tale consists of many varied characters, Eddy (Nick Moran), Tom (Jason Flemyng), Soap (Dexter Fletcher) and Bacon (Jason Statham) make up the main gang. They are a group of friends that have been together since childhood and have been small time crooks for nearly as long.
A few months back, I was fortunate enough to speak with Sean Astin. For those of you who have been living under a rock for the past three decades, Astin has starred in a plethora of memorable classics. With his mother being the late Patty Duke (Oscar winner – The Miracle Worker), he had large shoes to fill. Starting off with a bang, Astin, in his early teenage years, took on the role of Mikey in Richard Donner’s 1985 fantasy flick The Goonies. Following this, he has continued making wonderful motion pictures, including 1993's Rudy, 1998's Bulworth, as well as playing the beloved role of Samwise Gamgee in Peter Jackson’s The Lord of the Rings trilogy. He also showed off his comedic talents in 2004's 50 First Dates and 2006's Click. He has also conquered the television world, portraying Lynn McGill in ‘Day 5’ of 24 (a very strong season), as well as Jim Kent in Guillermo del Toro’s The Strain.
Back in April of 2016, I sat down with actor Steve Coulter (twice). He was one of the special guests attending the Cornwall and Area Pop Expo (CAPE). The character actor, who has had a plethora of interesting roles over his career, is perhaps best remembered as the kind hearted, intellectual Reg Monroe (the mastermind behind the walled compound of Alexandria) on the ever popular series The Walking Dead. He has also had a recurring role as Amishman Elijah Bowman on the standout Cinemax series Banshee. On the film front, he has worked with horror maestro James Wan an impressive five times, including as Father Gordon in The Conjuring and its sequel, as well as playing Carl in Insidious: Chapter’s 2 and 3. He also portrayed Roger, a lawyer, in one of my favourites – Mr. Brooks. Mr. Coulter was gracious enough to be interviewed twice, once as part of a local Cogeco special, while on day two of CAPE, we chatted all things Banshee. Check out both meetings below to hear some great stories from all the things mentioned above, as well as his favourite film.

I am sure most of you have heard of the classic 1967 crime flick Bonnie and Clyde. Perhaps a film that is lesser known and is also based off of Great Depression bandits Clyde Barrow and Bonnie Parker (though the two characters have different names) is the legendary 1950 film noir Gun Crazy – which, when viewed, will clearly be seen as a precursor to the Warren Beatty and Faye Dunaway offering.
Dirty Harry, starring the legendary Clint Eastwood, has to be one of the most iconic characters in film history. Eastwood truly brings the essence of Harry Callahan to life, delivering a gritty performance that captures the hero’s gruff, no nonsense ways and vigilante-style justice. In 1971, the same year Eastwood starred in Dirty Harry, Michael Caine was cast as the lead in a British motion picture called Get Carter, which carries many of the same themes.

The first thing that came to mind after watching Guy Ritchie’s 2001 crime film Snatch was that it must have been a bugger to write. Ritchie, who both scribed and directed the movie, concocts a motion picture that feels like an amalgam of film noir, a British crime caper, a boxing flick as well as a comedy – all thrown onto the screen by some sort of high powered rocket launcher.