Films That Matter
A Deadly Good Time
A slightly more obscure giallo released during the heyday of the craze, co-writer/director Silvio Amadio’s Smile Before Death (1972) is a psychological mystery thriller that certainly pushes the boundaries of the already boundary-pushing Italian genre. Amadio starts with a wild opener, as wealthy Dorothy Emerson (Zora Gheorgieva) is found brutally murdered by an unknown assailant... with it promptly being classified as a suicide by the incompetent police, this then turns into a slow burner of sorts.
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Grifter has Tenuous Grip in this Film Noir
Night and the CityJanuary 15, 2016In 1950, just prior to being blacklisted, director Jules Dassin was sent to make a film in London, England – being warned by producer Darryl F. Zanuck that it would most likely be the last movie he would make. What came of this venture was the classic film-noir Night and the City.
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Star Pick with Ben Briscoe
Playing the GameLayer CakeJuly 13, 2014I am sure that most of you may recall my review last summer with Canadian PGA golfer Riley Wheeldon (who had such a good year that he has advanced to the Web.com Tour – just one step below the PGA tour), who said that his favourite movie was Happy Gilmore. I was actually lucky enough to golf with a second pro last year; Welshman, Ben Briscoe. Briscoe attended the qualifier, which was played at the Cornwall Golf and Country Club, and sadly did not make the cut (which would have sent him to Upper Canada Golf Course to play in the Great Waterway Classic), giving him the less satisfying runner-up prize of playing a round of golf with me.
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Film Noir, De Palma Style
Femme FataleMay 11, 2014In 2002, writer/director Brian De Palma once again put pen to paper and created another one of his unique homages to classic cinema (the first in ten years). Titled Femme Fatale, the director lets us follow his own take on the legendary film noir bad girls of old.
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Rififi a Classic Crime Film
RififiApril 6, 2014Most scripts and movies are formed in one complete package, focusing on continuity, flow and character development as well as a definite beginning, middle and end. Yet some films are formed out of something different – a single shot, concept or idea that one then develops a picture around. It does not always work, but when it does, it is cinematic gold. This is the case for the 1955 French crime caper Rififi (originally titled Du Rififi Chez Les Hommes).
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Russell Does the Hustle, American Style
American HustleMarch 23, 2014"Some of this actually happened." Released last week on Blu-Ray and DVD, David O. Russell’s 2013 hit American Hustle (which was nominated for 10 Academy Awards) out Scorsese’d Scorsese, as many critics put it. I will not go that far, but Russell creates a lively crime comedy/drama in the vain of past Scorsese classics such as Goodfellas, Casino and others – and it can compete on most levels.
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This Scandinavian Entrée is Delicious
HeadhuntersJanuary 11, 2014One global region that has really gained traction and popularity in the film and television industry recently is Scandinavia. With the huge success of Stieg Larsson’s novels that became the highly popular Millenium film trilogy (Girl With the Dragon Tattoo), we have seen these northern European countries develop complex and entertaining stories that usually fall within the noirish crime genre. Television such as Forbrydelsen (The American TV show The Killing is based on this), Wallander, The Bridge, and Borgen (Stephen King’s favourite show of 2012) have not only found their niche in North America, but have also influenced the television and film industry in North America and Britain as well. One such movie that fits within this genre is Jo Nesbø’s Headhunters (the highest grossing Norwegian film of all-time).
