A rare Pre-Code film that still echoes through the lineage of movies to this day, influencing the gangster genre is the Howard Hughes produced, Howard Hawks directed, Ben Hecht written Scarface (1932) – with its elements playing an integral part in setting up the archetypal template for generations to come (just think of the works of Martin Scorsese, Brian De Palma and Francis Ford Coppola four, five, and six decades later). Ripped from the headlines at the time, this fast paced and snappy gem doesn’t feel like it’s made in 1932, the limitations of the early ‘talkie’ era hardly noticeable. The camera gracefully moves around, be it reenacting the movement of a Tommy gun or introducing us to the players in a room.

It is rather unusual to see a film-noir made in glorious Technicolor – though this is exactly what the 1953 crime thriller Niagara is. Director Henry Hathaway swaps the moody shades of black and white for strikingly vivid colours as we watch two couples cross paths in stunning 1950's Niagara Falls, Ontario (the film was almost completely shot on location).

Abe Vigoda passed away today at the age of 94. Vigoda enjoyed a long career in the film and television world, with standout roles in The Godfather Part 1 and Part 2 as well as in the comedy series Barney Miller. Though, perhaps more recently he is best remembered for his short but vital part in the hilarious Superbowl Snickers commercial featuring Betty White. In honor of Vigoda, The Godfather Part II will be reviewed here today.
I spoke to character actor Ron Perlman recently about his favourite films. The veteran performer, who has been in motion pictures and television for more than thirty-five years, shot to fame in the late eighties with the show Beauty and the Beast. He has not stopped since, taking on numerous memorable roles in series such as Sons of Anarchy and Hand of God as well as in films like Hellboy, Drive and Pacific Rim, to name but a few. He has worked with horror maestro Guillermo del Toro an impressive six times – calling the director an absolute genius.
It is not hard to argue that the classic 1972 crime film The Godfather is the biggest movie to come out of that decade and transcend the generations (that is, if we do not count its 1974 sequel – which is of equal popularity and importance).

In 1950, just prior to being blacklisted, director Jules Dassin was sent to make a film in London, England – being warned by producer Darryl F. Zanuck that it would most likely be the last movie he would make. What came of this venture was the classic film-noir Night and the City.
I am sure that most of you may recall my review last summer with Canadian PGA golfer Riley Wheeldon (who had such a good year that he has advanced to the Web.com Tour – just one step below the PGA tour), who said that his favourite movie was Happy Gilmore. I was actually lucky enough to golf with a second pro last year; Welshman, Ben Briscoe. Briscoe attended the qualifier, which was played at the Cornwall Golf and Country Club, and sadly did not make the cut (which would have sent him to Upper Canada Golf Course to play in the Great Waterway Classic), giving him the less satisfying runner-up prize of playing a round of golf with me.