Voodoo, and Zombies, and Ghosts, Oh My

It Follows is a surprisingly creative new horror picture that avoids using gore and builds its atmosphere the old-fashioned way, taking the typical sex-crazed teen motif and flipping it upside down to create a novel and interesting picture.

There has long been a history of films that deal with isolation and seclusion – some being big budget blockbusters while others are low-budget flicks. Movies such as The Shining, Cabin Fever and The Thing each created a sense of impending dread by using these two themes effectively. The low budget Canadian film Black Mountain Side continues the tradition.

Too many horror movies today tend to go for cheap thrills, such as jump-scares and graphic violence, rather than focusing on what makes the genre so special – slow-building suspense and a thick and eerie atmosphere. There is nothing wrong with mixing the two together, but too often directors forget about the mood of the film altogether. It is quite rare to find slow-burning and cleverly crafted horror films such as past classics like The Shining or The Changeling. Some of the most recent motion pictures that do capture this more vintage style of horror film are from Spanish speaking countries such as Spain and Mexico. It has been quite impressive to watch the sizeable amount of these style of horror films emerge over the past decade or so. One such film is the 2007 horror flick The Orphanage.