Unwelcome Caller

Our eyes are the windows to the world. They are one of our most vital senses, and losing our vision is, in turn, probably one of every persons’ biggest fears. That is why the Spanish horror thriller Julia’s Eyes is one of the spookiest film concepts to come out in recent history. Written by Oriol Paulo and Guillem Morales (who also directs the picture), the visionary tale twists and turns as our protagonist, Julia Levin

Though I consider myself well versed in most areas of film, I must say that I knew nothing about the horror cult classic Spider Baby or, The Maddest Story Ever Told, until I began researching for my interview with Beverly Washburn, who starred in this quirky motion picture that was filmed in 1964, though it was only released in 1967 (due to issues with finances and poor distribution).

The horror genre has many incarnations. The two that seem to be most popular as of this point are the slasher flick (i.e. Saw) or the based-on-true-events-style ghost story – à la Paranormal Activity, The Conjuring and so on. From time to time we may see a more traditional, even Victorian-style ghost story such as Crimson Peak or The Woman in Black, but the film I am reviewing today is much harder to pigeonhole, as it is part searing psychological drama, which is then mixed with Gothic horror and a touch of thriller. It is Nicolas Roeg’s 1973 slow-burner of a picture, Don’t Look Now.

It Follows is a surprisingly creative new horror picture that avoids using gore and builds its atmosphere the old-fashioned way, taking the typical sex-crazed teen motif and flipping it upside down to create a novel and interesting picture.

There has long been a history of films that deal with isolation and seclusion – some being big budget blockbusters while others are low-budget flicks. Movies such as The Shining, Cabin Fever and The Thing each created a sense of impending dread by using these two themes effectively. The low budget Canadian film Black Mountain Side continues the tradition.

Too many horror movies today tend to go for cheap thrills, such as jump-scares and graphic violence, rather than focusing on what makes the genre so special – slow-building suspense and a thick and eerie atmosphere. There is nothing wrong with mixing the two together, but too often directors forget about the mood of the film altogether. It is quite rare to find slow-burning and cleverly crafted horror films such as past classics like The Shining or The Changeling. Some of the most recent motion pictures that do capture this more vintage style of horror film are from Spanish speaking countries such as Spain and Mexico. It has been quite impressive to watch the sizeable amount of these style of horror films emerge over the past decade or so. One such film is the 2007 horror flick The Orphanage.