It all started with X – an ode to the 1970s early slasher movies; then, it was followed up by prequel Pearl – a horror flashback paying tribute to the early days of colour cinema; and it all concludes (supposedly) with MaXXXine (2024) – which leaps into 1985... following survivor of the original, Maxine Minx (Mia Goth), as she navigates Los Angeles – attempting to make it in the cutthroat world of show business. One of the more unique trilogies in cinema history, writer/director Ti West’s conclusion is not complex in its narrative... if you’ve been in tune with the films from the very beginning, it will likely not be too difficult to guess where it’s all leading to, but it is utterly impressive in its cinematic dialogue – in other words, how it pulls its inspiration from the history of the industry to create a striking pastiche of the 80s era.
10 Cloverfield Lane is an unusual quasi-sequel to the 2008 handheld found-footage Godzilla-like monster movie Cloverfield. I watched the original in theatres back when I was at University, and it struck me as a rather exciting, large scaled horror movie. The gargantuan scope of that picture is interestingly scaled back to the complete opposite in this loose spin-off.
One of the more critically acclaimed films to come out of 2014 was the World War 2 drama The Imitation Game, which follows Alan Turing, a mathematical prodigy who builds a machine that can break the Enigma – a German device that decodes their secret military messages. Someone who wholeheartedly agreed with the praise this movie received is former Canadian Prime Minister Stephen Harper – who proclaimed that it was easily his favourite film of 2014.
I am excited to announce that a new feature has come to Filmizon.com – the ability to do a Dual/Duel movie review. I can think of no better way of putting the new set-up to the test than comparing one of the best films of 2008 – Clint Eastwood's Gran Torino, to a lesser known, but equally strong picture – 2009's Harry Brown, starring Michael Caine.
The Cold War was a truly unique, interesting and scary time when the whole world felt upside down – how else can you describe a worldwide conflict where tensions could not be higher yet bullets and bombs were not being fired. Paranoia, fear and propaganda ruled the day as two very different ideologies, brought forth by two powerhouse nations, fought for the hearts and minds of the world’s populace. It is in this intense setting that Steven Spielberg re-teams with Tom Hanks to make the harrowing, fish-out-of-water story Bridge of Spies.
It is quite clear that a good story is a vital part of making a quality film. Yet, in certain rare circumstances, the narrative can play a less important role than the majestic visual aspects of storytelling. It can be a risky proposition, and one that rarely works, but when it does, the audience is in for one exciting and mesmerizing ride. This is the case with the Academy Award Best Picture nominee Mad Max: Fury Road.
There are a wide array of interesting and unique motion pictures nominated for this years 88th Academy Awards – from big budget epics to small time period pieces. One that follows the former is the Ridley Scott space saga The Martian.