A film noir with some eccentricities, The Big Steal (1949), directed by then third time film maker Don Siegel (who would go on to make such greats as Invasion of the Body Snatchers, Dirty Harry, and Escape from Alcatraz), plays like a long chase within a longer chase, while the meeting between gent and femme is something akin to a will they/won’t they screwball comedy. The usually laconic Lt. Duke Halliday (Robert Mitchum) is in quite the conundrum, as he has been robbed of a U.S. Army payroll totaling a whopping three hundred grand by swindler Jim Fiske (Patric Knowles). On the lam in Mexico (a rather rare noir location, also think Ride the Pink Horse and Touch of Evil), Halliday is on his trail... but the problem is, so is his superior – Captain Vincent Blake (William Bendix), who, of course, thinks it was actually the Lieutenant who ran off with the money.
The 1980's and 1990's were two superb decades for amazing action films that contained easy on the eyes stunts, clever storylines, touches of comedy and great villains. Movies like the Die Hard trilogy, Lethal Weapon 1-4 , Mission Impossible, and James Bond entries like License to Kill and Goldeneye entertained in all of these categories. One of the best action movies to come out of the 90's though, is known as Léon or The Professional.
As you can probably tell from my other reviews, most of the films that I choose are not family friendly, which is why I have decided to change course and review what I feel is an often overlooked comedy, the 1989 John Hughes’ movie Uncle Buck.
There are many different DVD/Blu-Ray companies that release films to the public, but the one that is definitely the most impressive and in-depth is Criterion. Their collection consists of "important classic and contemporary films" that are brought to you in the highest quality audio and video transfers. Each movie also comes with a plethora of excellent special features that highlight the importance of the film. The Criterion Collection is aimed at film aficionados and it shows.
No, I will not be talking about country music or Shania Twain, but this line aptly describes what either of the two main characters could have said during the 1959 classic comedy Some Like It Hot.