Beating the famed comedy duo of Abbott and Costello to the horror comedy circuit both one and two years prior to their 1941 classic Hold That Ghost, Bob Hope released The Cat and the Canary in 1939, following it up in quick succession (just eight months later) with The Ghost Breakers in 1940 – it was originally a play written by Paul Dickey and Charles W. Goddard (there are also two silent films from 1914 and 1922 based on it that are thought to be lost – the former being directed by Cecil B. DeMille). Directed by George Marshall, the mystery infused horror comedy follows a socialite, Mary Carter (Paulette Goddard), who has learned on a stormy New York night that she has inherited a supposedly haunted castle on a secluded Cuban isle ominously named Black.
Beating the famed comedy duo of Abbott and Costello to the horror comedy circuit both one and two years prior to their 1941 classic Hold That Ghost, Bob Hope released The Cat and the Canary in 1939, following it up in quick succession (just eight months later) with The Ghost Breakers in 1940 – it was originally a play written by Paul Dickey and Charles W. Goddard (there are also two silent films from 1914 and 1922 based on it that are thought to be lost – the former being directed by Cecil B. DeMille). Directed by George Marshall, the mystery infused horror comedy follows a socialite, Mary Carter (Paulette Goddard), who has learned on a stormy New York night that she has inherited a supposedly haunted castle on a secluded Cuban isle ominously named Black.
With the massive success of Laurel and Hardy, who producer Hal Roach had paired together after signing them separately in 1926 (they would remain with his studio until 1940), the man had the bright idea of creating a female counterpart duo, bringing together Zasu Pitts and Thelma Todd. The team would make seventeen popular shorts from 1931-33, their first two, Let’s Do Things and Catch-As Catch-Can, looked at here today. Like all good comedy teams, you have two very different character types. Zasu comes across as the slightly depressed, nervous and fretful brunette, while Thelma is a much more vibrant and colourful blonde dame. . . the former’s desperation often dragging her more put together friend into rather unorthodox situations. In Let’s Do Things, they find themselves as employees selling music for a giant department store... while looking for a way out of their dead-end jobs.
Comedic war-tinged movies were all the rage in Hollywood during World War II... a way to ease the tension while keeping morale up. Think Charlie Chaplin’s The Great Dictator (1940), Abbott and Costello’s quasi trilogy of Buck Privates, In the Navy, and Keep `Em Flying (all of which were released in 1941), Ernst Lubitsch’s To Be or Not to Be (1942), as well as today’s feature, the Sidney Lanfield directed, Bob Hope starring My Favorite Blonde (also 1942). A wartime crime caper woven within a Bob Hope vehicle, Karen Bentley (Madeleine Carroll – The 39 Steps), is a British secret agent who is given the unenviable task of delivering a cipher after her partner is murdered by a ruthless group of German spies led by Madame Stephanie Runick (Gale Sondergaard – who was also in The Cat and the Canary, Never Say Die, and Road to Rio with Bob Hope).
If you’ve ever seen anything from the comedy team of Abbott and Costello, you’ll know that it is rather rare to find anyone who will take up the screen as much as good old funny man Lou... that is, unless he’s paired with comedienne Martha Raye – there’s a reason she’s known as “The Big Mouth”. In Keep `Em Flying (1941), they would share the silver screen for the first and only time... but Lou had his work cut out for him, as she plays twins. The team’s fourth starring movie released in just ten months (and the third military movie to keep spirits high during World War II), all four were manned by Arthur Lubin (their next film, Ride `Em Cowboy would be his last with the duo), a steady hand that helped keep the boys in line.
Arguably one of the more bizarre buddy cop action/comedy films ever made, 1988's Dead Heat, written by Terry Black (brother of buddy cop screenwriter extraordinaire Shane Black – think Lethal Weapon and The Nice Guys... who cameos as a Patrolman in this one), and directed by Mark Goldblatt, fuses the tried and true formula within a Los Angeles set zombie storyline. Meet Doug Bigelow (Joe Piscopo) – cousin to Deuce, and Roger Mortis (Treat Williams) – and I think he’s the brother of Rigor, two officers who drive around town in a red 1960 Chevrolet Impala convertible – very inconspicuous. The former’s goofball jokey, the latter’s the more refined sort, together, they’re chaos.
I was fortunate enough to get a quick interview with Joe Gatto after his first ever comedy show in Ottawa on March 3rd, 2023. For those of you who have somehow missed him over the years, Gatto has brought joy and hilarity to the world with buddies Sal, Q, and Murr on the comedy series Impractical Jokers. After nearly a decade on television (creating worldwide catchphrases like: “Scoopski potahtos”, “Larry!”, “Up your ass and to the left”, “Who vants to paint!”, as well as so many others), Joe parted ways with the Jokers after nine seasons to focus more on family. Despite this, you’ve had ample chances to stumble upon him – sometimes with his buds as the Jokers go viral on Youtube, or by way of his very active social media accounts... and, of course, on his comedy tours. His first time in Canada, he regaled the audience with a fantastic combination of outright jokes, venue improv, past stories, and his own unique brand of physical comedy. After nearly a two hour show (which included his friend and opener Jiggy – who has also made some appearances on Impractical Jokers), the audience left with a number of jokes and stories that could make anyone laugh, as well as several local gags that only those attending would get (who knew Canadian royalty was sitting in the theatre box).