Not That Hitchcock

One global region that has really gained traction and popularity in the film and television industry recently is Scandinavia. With the huge success of Stieg Larsson’s novels that became the highly popular Millenium film trilogy (Girl With the Dragon Tattoo), we have seen these northern European countries develop complex and entertaining stories that usually fall within the noirish crime genre. Television such as Forbrydelsen (The American TV show The Killing is based on this), Wallander, The Bridge, and Borgen (Stephen King’s favourite show of 2012) have not only found their niche in North America, but have also influenced the television and film industry in North America and Britain as well. One such movie that fits within this genre is Jo Nesbø’s Headhunters (the highest grossing Norwegian film of all-time).

When hearing the name Clouseau, most people automatically think of the bumbling French detective made famous by comedy genius Peter Sellers in the Pink Panther movies, or the uninspired remakes with Steve Martin. Yet I am not referring to that character, instead I am talking about serious film director Henri-Georges Clouzot who directed the horror mystery/thriller Les Diaboliques in 1955.

Too many horror movies today tend to go for cheap thrills, such as jump-scares and graphic violence, rather than focusing on what makes the genre so special – slow-building suspense and a thick and eerie atmosphere. There is nothing wrong with mixing the two together, but too often directors forget about the mood of the film altogether. It is quite rare to find slow-burning and cleverly crafted horror films such as past classics like The Shining or The Changeling. Some of the most recent motion pictures that do capture this more vintage style of horror film are from Spanish speaking countries such as Spain and Mexico. It has been quite impressive to watch the sizeable amount of these style of horror films emerge over the past decade or so. One such film is the 2007 horror flick The Orphanage.

Roger Ebert’s top film of 2006 was the Spanish motion picture Pan’s Labyrinth, which he considered to be one of the greatest fantasy movies of all-time. A fairy tale meant for adults, the storyline follows a young girl, Ofelia (Ivana Baquero), as she moves to a secluded old mill with her mother Carmen (Ariadna Gil) and new stepfather, Captain Vidal (Sergi Lopez).