When it comes to car chase scenes, the one that is always highlighted, and for good reason, is from Peter Yates’ 1968 action thriller Bullitt starring Steve McQueen... but some eight years later, the city of San Francisco was replaced by Montreal, Quebec in this little known Italian production with quite the epic speedy sequence of its own, Shadows in an Empty Room (1976), directed by Alberto De Martino. Fusing this touch of Bullitt with a Dirty Harry style storyline – hence why it is called Blazing Magnum in some markets (including the UK), while also including a hint of the ever popular at the time 70s giallo for some murder mystery elements, the narrative follows gritty, hard as nails Ottawa cop Capt. Tony Saitta (Stuart Whitman) as he dispatches some bank robbers in his own city... before getting the tragic call that his much younger sister, Louise (Carole Laure – Sweet Movie), who lives in Montreal, has died under very suspicious circumstances.
As you probably read previously, Marcus Ovnell, the writer/director of the outstanding Swedish dramatic thriller The Break-In, explained that his favourite film of all-time was the 1990's classic Shawshank Redemption. Though he said that this was his clear favourite, he also highlighted a lesser known movie as one that I (and others) should watch – the 1999 thriller Arlington Road.

A recent movie that has sadly gone completely under the radar is the 2014 submarine heist thriller Black Sea.

I can only imagine how difficult, lonesome and melancholic a solo journey across the Atlantic Ocean must have been for the numerous immigrants who travelled from Europe to North America – especially those who made the journey before technology and ingenuity made things, for lack of a better word, easy.

Though most people would call the highly regarded Academy Award nominated film Room a searing drama, to me, if you boil it down to its base element, it is a horror picture – not the type that we now call horror, with chainsaws, gore and excessive violence, but one that causes the viewer to feel fear and shock in the most realistic and human of ways, thus making it a very powerful and hard-hitting viewing experience. And a highly worthwhile one at that.

There is something that has always drawn me to movies that are set on trains. This unique setting boasts many themes that a screenwriter and director can play with. Not only does it lend itself to a claustrophobic place for a mystery thriller, but it also may symbolize the old world, romance or an epic journey. There is also the thinly veiled partition that separates class divisions (travel through a door and you may have plain economy style or lavish burled walnut compartments with sleek curtains where the richest of the rich relax).

The phrase "based on true events" is used a lot in films these days, but as we know, it is a very loose term. Though there are kernels of truth in most of these movies, it is usually just an idea that captures the screenwriters’ imagination which is then turned into his or her own fictionalized version of history. One movie that exemplifies this is the Jon Turteltaub (National Treasure, Last Vegas) Disney flick Cool Runnings.