Films That Matter
The Fall and Rise of Babylon
Sometimes, certain films just seem destined to underperform at the box office, only to fall into more of a cult status down the road... and this could likely be the case for writer/director Damien Chazelle’s epic depiction of late 1920s, early 1930s Hollywood in Babylon (2022). Clocking in at three hours, nine minutes, if Chazelle’s 2016 musical La La Land was a love letter to current Hollywood, then this could easily be considered something similar to the growth and birth of the place. In some ways reminiscent of Quentin Tarantino’s 2019 feature Once Upon a Time... in Hollywood (which also gives the viewer a bird’s-eye view into the movie making business), the aptly named Babylon is perhaps not for the faint of heart, but will be rewarding for anyone intrigued by the silent and the 30s Pre-Code era (or for people who are simply looking to learn more about this cinematic time).
-
Bad Side of the Moon
MoonJune 12, 2016While watching the sci-fi mystery drama Moon, I was thinking that this was going to be it. . . the first Sam Rockwell movie I’ve seen where he does not bust into a dance routine. But alas, no, he meets his quota once again in this flick, similar to his performances in Charlie’s Angels, Iron Man 2 or The Way Way Back, to name but a few. It is not that I dislike his spontaneous groove moves, they are usually highly entertaining; it is simply something that I hawkishly look for each and every time I view a Rockwell movie – feel free to join the cause.
-
This Tarnished Gringo Shines
Get the GringoJune 5, 2016Mel Gibson may not be the most popular actor out there now, but there is no denying that he has had one of Hollywood’s more impressive careers over the last three or so decades. He puts everything he has into his work and one of his most recent films that once again impresses, yet has sadly gone unnoticed, is the 2012 crime flick Get the Gringo. Mel Gibson plays the unnamed criminal with the heart of . . .
-
Star Pick with G.J. Echternkamp
Ship of FoolsTime BanditsMay 31, 2016Hollywood studios have long used focus groups as a way to determine if audiences like a film. And, for just as long as they’ve been around, there have been complaints about them: ‘Who are the people who comprise the focus groups?’, ‘Do they have any insider movie knowledge?’, ‘Why are they more knowledgeable than the screenwriters and directors who have made the film?’, "Why are studios changing the ending of a movie just because a few random people disliked it?’.
-
Bright Hope for the Western Genre
Bone TomahawkMay 27, 2016"This is why frontier life is so difficult. Not because of the Indians or the elements, but because of the idiots." Truer words may never have been spoken about the western genre; so many of these films seem to have their share of noble idiots who are unprepared yet undaunted by a seemingly impossible task. Though motion pictures featuring cowboys, sheriffs, bandits and the like have taken a downturn over the last several decades, there has been a small resurgence of quality independent westerns that have cropped up over the past year or so. One such movie (which is where the above quotation can be found) is the 2015 horror western Bone Tomahawk.
-
Rollin’ on the River
MudMay 22, 2016Some stories feel as though they have been with us since the dawning of time. They deal with universal themes of love, coming of age, revenge and friendship. A film that feels like a modern retelling of a long since forgotten tale is the 2012 drama Mud. Clearly based upon Mark Twain’s yarns that feature Tom Sawyer and Huckleberry Finn, the plot follows modern day youths Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) as they come of age on the Arkansas River (a tributary of the Mississippi).
-
The Cat Came Back
The Cat Came BackMay 9, 2016As a child, I was enamoured with a kooky Canadian animated short film called The Cat Came Back. Available on VHS (for those of you too young to remember what this is, ask your parents) at my local library, I would take it out every time I entered the historic building. It is likely that I played a huge part in wearing down that cassette tape. Thanks to the National Film Board of Canada, who produced the flick, it is available for free on their website.
