In your prototypical revenge movie, something heinous happens, after which the protagonist spends the rest of the narrative trying to exact vengeance upon the person/people who committed the act... but in this curve-ball of a thriller, Blue Ruin (2013), written and directed by Jeremy Saulnier (Green Room), that is not the case. Following the struggling Dwight (Macon Blair – Green Room), ever since his parents were murdered, he has been living a form of homelessness out of his beat up, rusting 90s Pontiac Bonneville. Almost as silent as a monk, the first conversation he has had in some time is when he is notified that the man put behind bars for killing his parents ages ago is getting released.

It Follows is a surprisingly creative new horror picture that avoids using gore and builds its atmosphere the old-fashioned way, taking the typical sex-crazed teen motif and flipping it upside down to create a novel and interesting picture.

Adam McKay, the comedic director best known for films like Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby and Step Brothers, takes a much more serious turn in the Academy Award Best Picture nominee The Big Short.
As you probably read previously, Marcus Ovnell, the writer/director of the outstanding Swedish dramatic thriller The Break-In, explained that his favourite film of all-time was the 1990's classic Shawshank Redemption. Though he said that this was his clear favourite, he also highlighted a lesser known movie as one that I (and others) should watch – the 1999 thriller Arlington Road.

A recent movie that has sadly gone completely under the radar is the 2014 submarine heist thriller Black Sea.

I can only imagine how difficult, lonesome and melancholic a solo journey across the Atlantic Ocean must have been for the numerous immigrants who travelled from Europe to North America – especially those who made the journey before technology and ingenuity made things, for lack of a better word, easy.

Though most people would call the highly regarded Academy Award nominated film Room a searing drama, to me, if you boil it down to its base element, it is a horror picture – not the type that we now call horror, with chainsaws, gore and excessive violence, but one that causes the viewer to feel fear and shock in the most realistic and human of ways, thus making it a very powerful and hard-hitting viewing experience. And a highly worthwhile one at that.