Déjà Vu

It is not often that I am able to review a movie that claims to be an Irish Shakespearian Western, but that is simply, or perhaps complexly, what Patrick Ryan’s feature film directorial debut Darkness on the Edge of Town is.

I was lucky enough to cover the inaugural St. Lawrence International Film Festival, a four day event that premiered world class films in two countries (the United States and Canada). The cities of Ottawa, Brockville, Canton and Potsdam had the prestigious honour of hosting the first film festival to ever run in two different countries at the same time. Over the next sixteen days, eight of the films I was able to watch will be reviewed.

In 2002, writer/director Brian De Palma once again put pen to paper and created another one of his unique homages to classic cinema (the first in ten years). Titled Femme Fatale, the director lets us follow his own take on the legendary film noir bad girls of old.

Some of you may recall a movie being released back in 2004 called Cellular starring Kim Basinger. The phone-based action crime thriller is a highly entertaining movie that demonstrates how quickly things have changed over a ten year period. Firstly, the cell phones in the film are much less sophisticated compared to today’s technology. But more interestingly, the motion picture also stars a young Chris Evans – who shortly thereafter landed the role of Johnny Storm in the Fantastic Four franchise and later the part of Captain America in the Marvel films. We also see a small glimpse of the relatively unknown Jessica Biel, who is now quite famous. Likewise, it was a watershed moment for Jason Statham, as it was one of his first roles in an American film. Add in appearances from William H. Macy, who is receiving rave reviews for his role in the televison show Shameless, and character actor Noah Emmerich (The Truman Show, tv show The Americans), and you have a pretty impressive cast by today’s standards.