In your prototypical revenge movie, something heinous happens, after which the protagonist spends the rest of the narrative trying to exact vengeance upon the person/people who committed the act... but in this curve-ball of a thriller, Blue Ruin (2013), written and directed by Jeremy Saulnier (Green Room), that is not the case. Following the struggling Dwight (Macon Blair – Green Room), ever since his parents were murdered, he has been living a form of homelessness out of his beat up, rusting 90s Pontiac Bonneville. Almost as silent as a monk, the first conversation he has had in some time is when he is notified that the man put behind bars for killing his parents ages ago is getting released.

In 2002, writer/director Brian De Palma once again put pen to paper and created another one of his unique homages to classic cinema (the first in ten years). Titled Femme Fatale, the director lets us follow his own take on the legendary film noir bad girls of old.

Some of you may recall a movie being released back in 2004 called Cellular starring Kim Basinger. The phone-based action crime thriller is a highly entertaining movie that demonstrates how quickly things have changed over a ten year period. Firstly, the cell phones in the film are much less sophisticated compared to today’s technology. But more interestingly, the motion picture also stars a young Chris Evans – who shortly thereafter landed the role of Johnny Storm in the Fantastic Four franchise and later the part of Captain America in the Marvel films. We also see a small glimpse of the relatively unknown Jessica Biel, who is now quite famous. Likewise, it was a watershed moment for Jason Statham, as it was one of his first roles in an American film. Add in appearances from William H. Macy, who is receiving rave reviews for his role in the televison show Shameless, and character actor Noah Emmerich (The Truman Show, tv show The Americans), and you have a pretty impressive cast by today’s standards.

Before I refer to the main title, I must first announce that long-time character actor James Rebhorn passed away last week at the age of 65. Though perhaps not a household name, the tall balding man (who looked the same age for as long as I can remember) will surely be missed, as he played small yet memorable roles for more than 30 years.

Alfred Hitchcock is often considered to be one of the greatest directors of all-time and I would have to agree with that assessment. His genius at building a suspenseful story through the camera lens in films such as Vertigo, The Birds, Rear Window, North By Northwest, to name a few, place him at the top of the list. One active director who would wholeheartedly agree is Brian De Palma.

After last week’s action-packed Christmas review of Die Hard, I think it is time to reset our bearings and capture a more Christmas-y feel. The 2003 romantic comedy Love Actually, written and directed by Richard Curtis (Mr. Bean, Bridget Jones’s Diary), fits the bill.

This may seem like an odd combination and strange title, but it is actually the name of a trilogy of British movies (also known as the Cornetto Trilogy – a type of ice-cream in the UK). Directed by Edgar Wright and starring Simon Pegg and Nick Frost, the films pay comedic homage to different genres. You may ask how the three movies connect together – they do not. All three movies have Pegg and Frost playing completely different characters. The only thing the three motion pictures have in common is that there is a lot of ice-cream and blood in them. One of the benefits of the no-connect trilogy is that you can watch them in any order. Today, I am going to review the second film, 2007's Hot Fuzz.