If jailed for false pretenses, when you finally get out of prison, what would you do? The premise of the engaging film noir thriller Cry Danger (1951), made by former child star and first time director Robert Parrish (it is also said Dick Powell was quite involved in the film’s directing), one thing’s for sure, it’s about as hard boiled as you can get. Dick Powell (Murder, My Sweet) plays understandably rough around the edges Rocky Mulloy – a man who was falsely fingered in an armed robbery case that led to a murder.
I have always been fascinated by the concept of the double, also known as the doppelganger in both film and literature. There is something about the device, that is often used in gothic tales, that makes for a wonderfully suspenseful thriller. Perhaps it is my early fascination with the works of Edgar Allen Poe that have influenced my interest in the subject matter, or perhaps it is the fact that I have been told by others that I have multiple doppelgangers, in any case, a film that uses this classic idea is the 2013 motion picture Enemy.
There is nothing like receiving a present, especially when it is unexpected. It is exciting to open a perfectly wrapped box to find something that has been purchased specifically for you hiding inside. Yet, this simple concept takes a much more ominous and sinister turn in the 2015 mystery thriller, The Gift.
10 Cloverfield Lane is an unusual quasi-sequel to the 2008 handheld found-footage Godzilla-like monster movie Cloverfield. I watched the original in theatres back when I was at University, and it struck me as a rather exciting, large scaled horror movie. The gargantuan scope of that picture is interestingly scaled back to the complete opposite in this loose spin-off.
As you probably read previously, Marcus Ovnell, the writer/director of the outstanding Swedish dramatic thriller The Break-In, explained that his favourite film of all-time was the 1990's classic Shawshank Redemption. Though he said that this was his clear favourite, he also highlighted a lesser known movie as one that I (and others) should watch – the 1999 thriller Arlington Road.
A recent movie that has sadly gone completely under the radar is the 2014 submarine heist thriller Black Sea.
As I sat in the dark theatre waiting for the projector to light up the New York State premiere of The Break-In, a Swedish film written and directed by Marcus Ovnell, I had two things running through my mind . . . and both related to my high hopes for the film. The first was that I had attended a panel discussion featuring Ovnell and Nathan Jacobs (writer/director of Killing Poe) on the continuing influence of Edgar Allen Poe on the world of film. The panel provided a nuanced discussion on the two movies (while also making sure to provide no spoilers of the upcoming showing of either film) and being that I am a gargantuan Poe fan, this had me enthused for the premiere. The second was that I have yet to see a poor film or television show come out of Scandinavia over the past several years (whether it is the Girl With the Dragon Tattoo trilogy, Jo Nesbo’s Headhunters or television series such as Wallander and Borgen, to name of few).