Films That Matter
Stealers Wheel
A film noir with some eccentricities, The Big Steal (1949), directed by then third time film maker Don Siegel (who would go on to make such greats as Invasion of the Body Snatchers, Dirty Harry, and Escape from Alcatraz), plays like a long chase within a longer chase, while the meeting between gent and femme is something akin to a will they/won’t they screwball comedy. The usually laconic Lt. Duke Halliday (Robert Mitchum) is in quite the conundrum, as he has been robbed of a U.S. Army payroll totaling a whopping three hundred grand by swindler Jim Fiske (Patric Knowles). On the lam in Mexico (a rather rare noir location, also think Ride the Pink Horse and Touch of Evil), Halliday is on his trail... but the problem is, so is his superior – Captain Vincent Blake (William Bendix), who, of course, thinks it was actually the Lieutenant who ran off with the money.
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Scare Up Some Laughs
Hold That GhostAbbott and Costello Meet FrankensteinApril 8, 2016There are many classic comedians that are still honoured and remembered fondly today. People like the Marx Brothers, the Three Stooges, Charlie Chaplin and Buster Keaton are highly regarded funny men, yet the comedy team of Bud Abbott and Lou Costello are, in my opinion, less quickly thought of than those mentioned above. Despite this, many of their films, which include a mixture of memorable physical comedy and witty dialogue, still hit the funny bone today. Two of my favourites mix comedy with the horror genre: 1941's Hold That Ghost and 1948's Bud Abbott and Lou Costello Meet Frankenstein.
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A Fateful Reunion
The Night PorterApril 5, 2016Controversial, edgy, tasteless and taboo are just a few words that have been used to describe the movie that I will be reviewing today. If there was ever a love it or loathe it film – this may be it. It has been chosen by the acclaimed company Criterion as being one of their ‘important classic and contemporary films’ and many film afficionados have lauded it, yet others have absolutely trashed it – with legend Roger Ebert proclaiming that it is "as nasty as it is lubricious, a despicable attempt to titillate us by exploiting memories of persecution and suffering". I will leave it to you to decide.
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The Kid is Hot Tonight
In Old ArizonaMarch 29, 2016Sometimes, a film is able to transcend the era it was made in, truly making it feel as relevant and modern as when it was first released. Yet, others simply have not aged as well. This can sometimes create a rather difficult viewing experience – and that is somewhat the case with the 1928 western In Old Arizona. This western is one of the most important and influential films of the time –
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A Haunting Love Affair
The Ghost and Mrs. MuirMarch 22, 2016Every once and a while, a writer devises a ghost story that is not mere horror or thriller, but expands the eerie vibe to a more intimate otherworldly friendship or romance. Two of my favourites are the oddball buddy comedy Blackbeard’s Ghost (released by Disney in 1968) as well as the 1990 romantic dramedy simply titled Ghost. I now have a third excellent film to add to this rather abstract list – the 1947 motion picture The Ghost and Mrs. Muir.
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A Gringo Walks Into a Cantina…
Ride the Pink HorseMarch 11, 2016His name, Lucky Gagin . . . or Robert Montgomery for those of you who are looking for the actor portraying this anti-hero. Montgomery, the iconic star, also tried his hand at directing (for the second time), with this rather unorthodox film-noir, Ride the Pink Horse. Our lead walks off a bus and into the city of San Pablo, a Mexican border town that is getting ready to host an annual fiesta.
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Do Look Now
Don't Look NowMarch 8, 2016The horror genre has many incarnations. The two that seem to be most popular as of this point are the slasher flick (i.e. Saw) or the based-on-true-events-style ghost story – à la Paranormal Activity, The Conjuring and so on. From time to time we may see a more traditional, even Victorian-style ghost story such as Crimson Peak or The Woman in Black, but the film I am reviewing today is much harder to pigeonhole, as it is part searing psychological drama, which is then mixed with Gothic horror and a touch of thriller. It is Nicolas Roeg’s 1973 slow-burner of a picture, Don’t Look Now.
