Unlike most other memorable Hammer horror movies, the 1964 mystery thriller Nightmare, directed by Freddie Francis (perhaps better known as the cinematographer of films like David Lynch’s The Elephant Man and Martin Scorsese’s Cape Fear) eliminates all of the monsters for an old fashioned quasi ghost story... the piece deserving to be remembered up there with those Hammer horror films centered on vampires, resurrected corpses, and lycanthropes. Shot in shadowy black and white, the story follows struggling seventeen year old Janet (Jennie Linden), who is currently away from home living at a finishing school for girls.
Sometimes going into a movie with low expectations can be a good thing. As I was perusing a discount store one day, I came across a film titled Suck – a rather ominous moniker I must say. Yet the premise, which pays homage to rock and roll while also spoofing vampiric horror in a comedic way, sounded like it could be fun. Plus, the back cover explained that it boasted a rocking soundtrack while featuring cameos from legends like Alice Cooper and Iggy Pop, so I picked up the Blu-Ray for a whopping three dollars.
The fantasies that flow within a child’s mind are something special that I believe most people lose as they get older (when doubt, reality and logic come into play). Kids have the innate ability to dream about being a professional athlete, a space cowboy or any other bizarre profession (that would baffle the adult mind). The 1993 family sports film Rookie of the Year captures this unbelievable concept of a childhood wish becoming amazing reality.
I am excited to announce that a new feature has come to Filmizon.com – the ability to do a Dual/Duel movie review. I can think of no better way of putting the new set-up to the test than comparing one of the best films of 2008 – Clint Eastwood's Gran Torino, to a lesser known, but equally strong picture – 2009's Harry Brown, starring Michael Caine.
10 days: that was how long it took to film the 1963 B-movie Shock Corridor. Originally advertized as an exploitation picture (and it does have some of those elements), Samuel Fuller’s film about a journalist who has himself committed to solve a mysterious murder is so much more than its original label.
It is generally believed that tv movies are pretty average fare. It is rare that a film released on the tube can transcend this preconceived notion and be considered a great movie, yet this is the case with the excellent 1983 flick The Scarlet and the Black.
It Follows is a surprisingly creative new horror picture that avoids using gore and builds its atmosphere the old-fashioned way, taking the typical sex-crazed teen motif and flipping it upside down to create a novel and interesting picture.