Unlike most other memorable Hammer horror movies, the 1964 mystery thriller Nightmare, directed by Freddie Francis (perhaps better known as the cinematographer of films like David Lynch’s The Elephant Man and Martin Scorsese’s Cape Fear) eliminates all of the monsters for an old fashioned quasi ghost story... the piece deserving to be remembered up there with those Hammer horror films centered on vampires, resurrected corpses, and lycanthropes. Shot in shadowy black and white, the story follows struggling seventeen year old Janet (Jennie Linden), who is currently away from home living at a finishing school for girls.
It is unusual to find a film that is able to effectively change direction, speaking in the genre sense, without losing steam, confusing viewers, or ruining the flow of the movie. Yet, when properly done, these twists and turns can take you on a wild and entertaining ride to somewhere completely unexpected. This is what the 1986 motion picture Something Wild does effortlessly.
It is pretty rare that I do this, but I sat watching a newly released DVD called Stoker last night and decided to write a review immediately after finishing it, and for once, one of the films I have critiqued will be readily available to buy or rent.
One of my favourite film styles is the post apocalyptic genre. Depending on the time of production, these movies depict the fears of the day. For instance, in 1973 Soylent Green was made, which highlighted the possibility of overpopulation, lack of employment and most importantly, food shortages; (look for a review of this film at a later date). Quite differently, in the 2006 motion picture Children of Men, we see quite the opposite – a world that is dying as humans are no longer able to procreate.
As most of you probably already know, Roger Ebert passed away last Thursday after a bout with cancer at the age of 70. If there is such a thing as a superstar movie reviewer, Ebert would be it. Since the 1960s he reviewed films for the Chicago Sun Times and spent years bringing motion pictures to his audience through his television programs which featured his iconic two thumbs up rating system. Though I did not always agree with his opinions, he had the amazing knack of reaching both knowledgeable film experts and the ordinary moviegoer. As a tribute to this gargantuan movie expert, I will highlight three films that he loved during my next three articles.