hough today’s feature is immediately sited as a science fiction classic, Fred M. Wilcox’s Forbidden Planet (1956) is perhaps just as well remembered for its majestic original robot and pinup infused movie poster design (that is still, to this day, a costly collectible)... though the art is quite misleading when you know what the movie is actually about. Following a narrative loosely inspired by William Shakespeare’s “The Tempest”, which, for those who do not know, is about a man forced to live stranded upon a magical island with his daughter, until he causes a shipwreck that brings with it possible rescue (and a man who may fall in love with his daughter)... this futuristic feature follows a somewhat similar sci-fi blueprint.
Clutch is a term that is often synonymous with big time athletes in sports. There are certain players that, when the match is on the line, elevate their game to another level. They have the innate ability to shift into another gear, making it feel like they are seeing the game much more clearly than the rest of the athletes. One such National Hockey League player is former New York Islanders’ goaltender Billy Smith. The winner of four straight Stanley Cups from 1980-1983,

While watching the sci-fi mystery drama Moon, I was thinking that this was going to be it. . . the first Sam Rockwell movie I’ve seen where he does not bust into a dance routine. But alas, no, he meets his quota once again in this flick, similar to his performances in Charlie’s Angels, Iron Man 2 or The Way Way Back, to name but a few. It is not that I dislike his spontaneous groove moves, they are usually highly entertaining; it is simply something that I hawkishly look for each and every time I view a Rockwell movie – feel free to join the cause.

There are a wide array of interesting and unique motion pictures nominated for this years 88th Academy Awards – from big budget epics to small time period pieces. One that follows the former is the Ridley Scott space saga The Martian.

The anti-hero, who can be described as a vital character that lacks typical heroic qualities, has been a staple of both film and television over the past several years. Actors like Hugh Laurie, who created the iconic game-playing character House and Johnny Depp, who modelled his likeable yet sketchy pirate Jack Sparrow after Keith Richards, are just two examples of the moral ambiguity that comes with many a character nowadays. Perhaps a recent film that best exemplifies this term is when a group of rag-tag criminals come together to save multiple worlds in Marvel’s 2014 space action adventure flick Guardians of the Galaxy.

Star Wars: The Force Awakens has taken the world by storm. Before I wrote this review, I wanted to watch the film for a second time in a theatre – this time, in 2D, yet it was sold out more than two weeks after its opening night.
Star Wars is the talk of the town once again. Episode 7, entitled The Force Awakens is sweeping the box office by storm. So, perhaps it is wise to return to the year 1977 to look at the first film: A New Hope.